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SOUL
Recommended smooth and mellow soul CDs |
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PHILLY SOUL
Recommended Gamble & Huff CDs |
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SALSOUL
Recommended Salsoul Records CDs |
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FUNK
Recommended funk and disco CDs |
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JAZZ/FUNK
Recommended jazz/funk fusion CDs |
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WEST COAST
Recommended west coast soft rock CDs |
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ELECTRONICA
Recommended chill out electronica CDs |
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CD WANT LIST
Care to help me track down some much sought-after CDs? |
Blue-Eyed Soul...
Blue-Eyed Soul refers to soul and R&B music performed and sung by
white musicians. The term first came into play during the mid-'60s,
when acts like the Righteous Brothers had hits with soulful songs like
"You've Lost That Lovin' Feeling." Throughout the late '60s, blue-eyed
soul thrived, as acts like the Rascals, the Box Tops, Mitch Ryder,
Tony Joe White, and Roy Head had a series of hits. During the '70s,
blue-eyed soul continued to be successful, as acts like Hall & Oates,
Robert Palmer, Average White Band, Boz Scaggs, and David Bowie updated
the formula. |
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ABC: The Lexicon
Of Love (Mercury 1982)
Produced by: Trevor Horn
ABC: Alphabet City (Mercury 1987)
Produced by: Bernard Edwards
One of the more popular new wave bands of the early '80s, the
British group ABC built upon the synthesized R&B pop of David
Bowie and Roxy Music. Ûber producer Trevor Horn was mainly responsible
for the success together with lead singer Martin Fry, a
fashion plate of a frontman with a Bryan Ferry fixation.
Horn's production merged synthesizer sounds, groovy
beats, and lots of strings and horns (orchestrations by
Anne Dudley, Art of Noise). The Lexicon of Love is truly a classic album in my book, but be
sure to get the deluxe remastered double CD set!
After a couple of not-so-god albums,
"Alphabet City" saw ABC returning to Motown and Northern soul that
provided the basis of their debut album. Bernard Edwards produced a
Chic-ish kind of sound with lavish strings and great songs and lyrics.
"When Smokey Sings" and "The Night You Murdered Love" were hits singles
but the best tracks are probably "King Without A Crown" and the mellow
and superb "One Day".
Be sure to also check out ABC's 2008 release Traffic which finds Martin
Fry back in good form.
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Gabriela Anders:
Wanting (Warner Bros. 1998)
Produced by: Paul Brown & George Duke
Argentina born
Gabriela Anders got her big break singing a duet with soft jazz giant
Michael Franks, and like Franks, Anders wraps laid-back
vocals around even more tranquil rhythms. It's all very calming and
proficient and breezy. Her debut
album "Wanting", mixes bits of her Argentine heritage with late-'70s California
jazz. A very Sade-ish album indeed...
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Bee Gees: Children of
the World (RSO 1976)
Produced by: Bee Gees
Including the classic disco anthem "You Should Be Dancing"
together with lush pop/soul ballads. If you can live with Barry Gibb's
falsetto throughout the whole album, this is great stuff!
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Burt Bacharach: The
Very Best Of (Atlantic/Rhino 2001)
Produced by: Burt Bacharach
With a hit-single track record spanning four decades, Burt
Bacharach became one of the most important composers of popular music in
the 20th century. His sophisticated yet breezy productions borrowed from
cool jazz, soul, Brazilian bossa nova, and traditional pop to virtually
define adult
pop during the 1960s.
The Very Best Of by Rhino does not
concentrate on Burt Bacharach's own records, but rather on others doing his
songs. And, really,
that's what makes it magical, since Bacharach wasn't the best
interpreter of his own material - vocalists like Dionne Warwick and Dusty Springfield were.
The album is a great introduction to Bacharach and his classic songs,
although it does run out of steam toward the end, when "That's What
Friends Are For" shows its ugly head, but there are no other single-disc
collections that offer such a accurate overview of Bacharach at his best.
Want more? Go for the 75 songs 3-disc box set "The Look
Of Love", also from Rhino Records.
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Bacharach & Costello:
Painted From Memory (Mercury 1998)
Bacharach & Isley: Isley Meets Bacharach (SKG 2003)
Produced by: Burt Bacharach
First I didn't think and collaboration between Burt Bacharach
and Elvis Costello would work, how wrong I was! Painted From Memory is
simply great! Wisely, they chose to work within the stylistic parameters of
Bacharach's '60s material.
Bacharach hasn't written such graceful, powerful melodies since his
glory days, and Costello... well I really don't know since I'm not that
familiar with his other work. With its lush arrangements, sighing brass
and strings, gentle pianos, and backing vocals, it's clearly a
classicist album, yet it sounds utterly timeless.
While the collaboration between soul singer supreme Ron Isley and
composer and arranger Burt Bacharach does not have the adventurous scope
of Bacharach's collaboration with Elvis Costello — in that the tunes
featured here are mostly Bacharach classics — it is every bit as
satisfying. At 62, Isley's voice is sweeter and more resonant than ever. This is a winner, a
beautiful effort that combines the give and take of the classic pop song with
the emotion of great soul singing.
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Blow Monkeys:
Whoops! There Goes the Neighbourhood (RCA 1989)
Produced by: Dr. Robert
Their 4. album, Whoops!, represented a further step towards the
incorporation of more dance oriented Pop/Soul, especially with the UK
smash hit "It Doesn't Have to Be That Way". CD includes 3 bonus tracks.
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Charles
& Eddie: Duophonic (Capitol 1992)
Charles & Eddie: Chocolate Milk (Capitol 1995)
Produced by: Josh Deutsch
Very 70's soul inspired and with voices that harmonize
beautifully, Charles Pettigrew & Eddie Chacon delivers classic soul on
both "Duo..." and "Chocolate...". Although both albums are a bit uneven,
a compilation consisting of the best cuts would have been a killer!
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Beverley Craven: Mixed
Emotions (Epic 1999)
Produced by: Beverly Craven
Although her first 2 albums have more stripped down arrangements, the
1999 "Mixed Emotions" is more of the same.
Except for her somewhat out-of-date lyrics on "Tick Tock" (wagging her finger
at women who choose careers over children), and the tasteless guitar solo at the end
which sounds a bit Celine Dion-ish, "Mixed Emotions" is great
pop song writing and her over-all best
offering.
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Deacon Blue: Raintown
(CBS 1987)
Produced by: Jon Kelly
An inspiring debut of well-crafted adult pop, heavily under the
influence of Prefab Sprout, it was originally released by CBS Records in
the UK in May 1987.
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Everything But The
Girl: The Language Of Life (WEA 1990)
Produced by: Tommy LiPuma
Although the hard core EBTG fan would probably disagree, - I say
that the "Language of Life" is Ben Watt & Tracy Thorn's overall best
offering. At the time it was the logical extension of EBTGs cool-jazz approach to finally go all the way by hiring
veteran producer Tommy LiPuma and a L.A. studio full of fusion musicians like Joe
Sample (the Crusaders), Russell Ferrante (the Yellowjackets), Michael
Brecker, and, finally, Stan Getz.
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Andy Gibb: Shadow
Dancing (RSO 1978)
Produced by: Barry Gibb
Gibb became the first solo artist in the history of the U.S. pop
charts to have his first three singles hit the number-one spot. Mellow
late 70s Bee Gees sound all over.
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Daryl Hall: Soul Alone
(Epic 1993)
Produced by: Daryl Hall & Jeffrey Smith
Daryl Hall: Can't Stop Dreaming (BMG Japan 1996)
Produced by: Daryl Hall & David Bellochio
Daryl Hall: Laughing Down Crying (Verve Forecast 2011)
Produced by: Daryl Hall & T-Bone Wolk
Both these albums is blue-eyed soul as good as it gets! "Soul Alone"
shows Hall shining as both a songsmith and a vocalist, also on going
back to his youth in Philadelphia, and with it, the Philly Soul and
folk-rock that was so close to his heart.
While Can't Stop Dreaming was for several years only available from BMG
Japan. He still sounds great with one of the best
blue-eyed soul voices around. Hall's smooth hooks, tight love
songs, and crisp arrangements are pretty much timeless. Tracks such as "Cab Driver," with its Steely Dan
feel, and the Marvin Gaye/Leon Ware-inspired "Let Me Be the One"
great, - especially vocally. Included is a remake of the Hall & Oates classic
"She's Gone". Despite a very nice new arrangement, I
personally don't think we really need a a remake of this, since it was so
god damn perfect the first time around...
After 14 years, Laughing Down Crying is instantly recognizable --
although maybe a bit more pop/rock than soul. The album offers plenty of
proof that Hall is still growing musically and his voice is as good as
ever. It's the work of a master musician doing what he does best --
writing and performing beautifully crafted pop songs in terrific form. A
personal favourite is "Eyes For You (Ain't No Doubt About It)". A spacy,
nocturnal, funky soul tune with a great bassline and loop. Very "I Can't
Go For That (No Can Do)" 30 years later.
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Hall & Oates: Hall &
Oates (RCA 1975)
Produced by: Hall & Oates and Christopher Bond
Hall & Oates: No
Goodbyes (Atlantic Japan 1977)
Produced by: Arif Mardin & Tod Rundgren
Hall & Oates: Our Kind Of Soul (U-Watch 2004)
Produced by: Hall & Oates
Daryl Hall actually recorded a single with Kenny Gamble and the Romeos
in 1966. The group featured Gamble, Leon Huff, and Thom Bell, who
would all become the architects of Philly Soul.
He met John Oates 1969, who was leading his own soul band at the time.
From their first hit in 1974 through their heyday in the mid 80s, Daryl
Hall & John Oates' smooth, catchy take on Philly Soul brought them
enormous commercial success.
"No Goodbyes" is a compilation of their first three Atlantic albums
Whole Oates (1972), Abandoned Luncheonette (1973) and War Babies (1974), and includes
three unreleased tracks and the superb classic "She's Gone"
from Abandoned Luncheonette.
For a great overview of their 40 year career, check out the absolutely
great 4
CD/74 track "Do What You Want, Be What You Are: The Music of Hall &
Oates" box set. On their 2005 effort "Our Kind Of Soul",
everything comes back full circle. The album is an excellent 19 track
tribute to soul legends like Marvin Gaye, O'Jays, Spinners, Dramatics
and Four Tops.
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Grace Jones:
Warm Leatherette (Island 1980)
Produced by: Chris Blackwell
Grace Jones: Slave To The Rhythm (ZTT 1985)
Produced by: Trevor Horne
After 3 albums of pure disco, Grace teamed up with producer Chris
Blackwell and musicians Sly & Robbie in Compas Point Studios in Bahamas
for recording Warm Leatherette. This was a move into the reggae/pop/soul
territory and a big success. The "Love is a Drug" Roxy Music cover is
great! Her 1985 release Slave To The Rhythm is a classic Trevor Horne
production and should probably be entitled "Trevor Horne Feat. Grace
Jones" since Trevor is definitely the main "artist". Unlike most albums
that feature a collection of different songs, this was a concept album
that featured several, radical interpretations of the title track and
interviews with Jones as well as actor Ian McShane reciting passages
from Jean-Paul Goude's biography Jungle Fever. Rumours says that the
title track was originally intended for Frankie Goes To Hollywood as a
follow-up to their single "Relax".
Be sure to also check out Grace's latest offering, the 2008 album
Hurricane on the Wall of Sound label.
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Bo Kaspers Orkester:
Amerika (Columbia Sweden 1996)
Produced by: Kaj Erixton
Mixing pop and jazz influences, with heavy lounge tendencies,
BKO sounds like rock'n roll has never existed, Formed in 1991 and taking
parts of the name from front figure Bo Sundström, Bo Kaspers
Orkester was one of Swedens best selling band in the 90s. In my opinion
"Amerika" is by far their best effort, with witty lyrics (in Swedish)
and an excellent mix of soul, jazz and easy listening.
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Lighthouse Family:
Ocean Drive (Polydor 1995)
Lighthouse Family:
Postcards From Heaven (Polydor 1997)
Produced by: Michael Peden
Lighthouse Family - Whatever Gets You Through the Day (Polydor 2001)
Produced by: Kevin Bacon & Jonathan Quimby
Ocean Drive, the debut album from the London-based duo Lighthouse
Family, is an extremely pleasant blue-eyed soul affair that makes for
excellent rainy-day listening. The smooth guitar chords and quiet
percussion quickly becomes addictive.
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Love & Money: Strange
Kind of Love (Fontana 1988)
Produced by:
These Scotsmen look to America for inspiration: funk, jazz and blues
combined with sophisticated arrangements and James Grant's brooding
vocals. A
line in "Jocelyn Square" pretty much sums up his mood: "I loved you so
much I hated your guts". A blue-eyed soul Tears For Fears if you
will... Hard to find on CD.
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Melissa Manchester:
Don't Cry Out Loud (Arista 1978)
Produced by: Leon Ware
American actress and singer/songwriter released her blue eyed soul album
Don't Cry Out Loud on Arista in 1978. It was produced by soul singer and
songwriter Leon Ware (Marvin Gaye) and arranged by Gene Page (Barry
White). Guests incl. Lee Ritenour, Greg Phillinganes and Richard Tee.
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Mark-Almond: Other
Peoples Rooms (Universal Japan/A&M 1978)
Produced by: Tommy LiPuma
Not to be confused with Marc Almond (ex- Soft Cell). Mark-Almond
consists of UK born Jon Mark and Johnny Almond. After releasing 4 albums
in the early 70's they relocated to the US and got Tommy LiPuma to
produce on his own Horizon label. The result is sophisticated smooth pop
jazz (for a late night, if you like) and could remind of Michael Franks
at times. Feat. Larry Williams, Steve Gadd, Ralph McDonald and Jerry Hey
among others.
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Matt Bianco: Matt's
Mood (Emarcy/Universal 2004)
Produced by: Danny White & Mark Reilly
If you're a fan of the Bossa Nova sounds of Brazil, you'll
immediately get the Jobim references of this album. Formed by ex-members
of UK modern jazz ensemble Blue Rondo a la Turk, Matt Bianco evolved
into one of England's top jazz-pop bands in the 80's. Their version of
Georgie Fame's "Yeh Yeh" received a European music award as Best Single
of 1985, while their single "Wam Bam Boogie" was the number one European
club track of 1988. Matt's Mood is a great comeback and highly
recommended. You should also check out their 1982 debut album Whose Side
Are You On?
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Sarah Jane Morris:
Heaven (Virgin 1992)
Produced by: Martyn Ware
British born Sarah Jane Morris attended London's Central School of Speech and
Drama while singing jazz and soul
classics in local clubs. Morris was launched to fame after
appearing with Jimmy Somerville on the Communards' chart-topping 1986
cover of the disco classic "Don't Leave Me This Way." Her debut solo
album followed in 1989, featuring a controversial cover of Billy Paul's
"Me and Mrs. Jones". Morris's second album, the over-all
better Martyn Ware-produced "Heaven", was
released in 1992.
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Van Morrison: Poetic
Champions Compose (Mercury 1987)
Van Morrison: Avalon Sunset (Polydor 1989)
Produced by: Ivan Morisson
Van Morrison is rated among popular music's true innovators, melting incantatory vocals and
fusion of R&B, jazz, blues, and Celtic folk.
On his 1987 "Poetic...", the opening five-minute jazz
instrumental "Spanish Steps" is just great and certainly sets
the mood for this record of mid-tempos and ballads, with Van's soulful voice.
With "Avalon
Sunset" Van Morrison scored one of his biggest commercial successes. A record highlighted by the gorgeous
classic "Have I Told You Lately,"
one of his most heartfelt love songs and a major radio hit which helped
introduce his music to a new generation of listeners. Not a consistently
strong album, Avalon Sunset is nevertheless the work of a master
craftsman with its lush orchestration and atmospheric production.
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Robert Palmer:
Pressure Drop (Island 1976)
Produced by: Steve Smith
Robert Palmer Double Fun (Island 1978)
Produced by: Robert Palmer
British born Alan Palmer is probably best known for his 80's music
videos in which shows Palmer as a suit-and-tie lady's man who performed
his songs backed by a band of models only, - much to the delight
of viewers who made him one of MTV's biggest success stories.
On 1976's Pressure Drop, Palmer's silky "Give Me an Inch" and "Work To
Make It Work", plus the backing of Little Feat makes this a very good
blue-eyed soul effort.
The 1978's self-produced Double Fun shows Palmer's love of reggae-styled
grooves. "Every Kinda People," a catchy pop reggae groove with tasteful
orchestrations. Elsewhere, Palmer turns up the energy with "Best of Both
Worlds," a bass-driven dance tune that shows off his vocal with its
cleverly arranged and complex vocal arrangement, and the funky Alan
Toussaint track "Night People".
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Pearlfishers: The Young Picnickers
(Marina 1999)
Pearlfishers: Across The Milky Way (Marina 2001)
Pearlishers: Sky Meadows (Marina 2003)
Pearlfishers: Up With The Larks (Marina 2007)
Produced by: David Scott
An ever-shifting Scottish group led by singer/songwriter David
Scott, the only constant member, the Pearlfishers are a glorious soft
pop band mixing acoustic-based music with subtle orchestral flourishes,
rather like a Glasgow-based Prefab Sprout. In other words; excellent!
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Prefab Sprout: The 38
Carat Collection (Best Of) (Sony 1999)
Prefab Sprout: Let's Change The World With Music (Kitchenware 2009)
Produced by: Paddy McAloon
One of the most beloved British pop bands of the '80s and '90s,
Prefab Sprout and singer/songwriter Paddy McAloon is regularly hailed as
one of the great songwriters of his era.
The 38 Carat Collection is a sublime overview of Prefab Sprout's
remarkable career. Disc one is a decade-and-a-half's worth of singles
that are truly gems. The second disc proves that McAloon's album tracks
are in many cases better than his singles. Containing 2 to 4 tracks
from each of Prefab Sprout's six 1984-1997 albums, this disc covers McAloon's more challenging or non-commercial material. Though no
collection can truly cover all of Prefab Sprout's high points — at least
three of their albums, "Steve McQueen", "Jordan: The Comeback", and
"Andromeda Heights" are simply essential — this set is much better than
1992's single-disc compilation "A Life of Surprises".
Let's Change the World... was actually written as a follow-up to the
1990 album "Jordan: The Comeback" but was not released before 2009. 11
excellent pop songs from a truly great songwriter.
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Sade:
Diamond Life (Epic
1984)
Sade: Promise (Epic 1986)
Sade: Love Deluxe (Epic 1992)
Produced by: Robin Millar
Three excellent mellow jazz/pop/soul albums from Sade. Diamond
Life includes "Smooth Operator"
and "Hang on to your Love", Promise includes "Sweetest Taboo"
and "Never as Good as the First Time", and Love Deluxe gives you "No Ordinary
Love" and "Kiss of Life". Great stuff! For more info, check my very own tribute to Helen FolaSADE
Adu and her band.
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Leo Sayer: Thunder in
My Heart (Warner Bros. 1979)
Produced by: Richard Perry
Blue eyed soul with some disco thrown in.
Featuring a who's who list of US westcoast musicians like David
Paich, Larry Carlton, Jay Graydon, Abe Laborial, Michael Omartian, Ray
Parker, Jeff Porcaro, Tom Scott among others.
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Boz Scaggs: My Time - A Boz Scaggs
Anthology
(Sony 1998)
Produced by: Various
Born William Royce Scaggs in Ohio 1944, singer/songwriter Boz
Scaggs started out in the 60's as a member of the Steve Miller Band but
went solo in 1968 and
achieve a commercial breakthrough with 1976's "Silk
Degrees", which
included the hits "Lowdown" and "Lido Shuffle". 1977's "Down Two, Then Left" was also a success, and 1980's
"Middle Man" reached the Top Ten on the strength of the singles "Breakdown Dead
Ahead" and "JoJo".
However, Scaggs spent much of the 1980s in retirement, owning and operating the San
Francisco nightclub Slim's and limiting his performances
primarily to the club's annual black-tie New Year's Eve party. "My Time
- A Boz Anthology" is an excellent 2-disc set presenting most of his
best work.
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Seal: Seal (EastWest 1991)
Seal: Seal (EastWest 1994)
Produced by: Trevor Horn
Seal: Commitment
(Warner Bros. 2010)
Seal 1991 (which contains the killer track "Crazy") and Seal 1994 are
both produced by the always excellent
Trevor Horn. The 2010 Commitment is probably his best overall effort. A
great pop/soul album.
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Barbra Streisand: Gulity
(CBS 1980)
Produced by: Barry Gibb
A pop/soul classic written and produced by Barry Gibb. It is her
best-selling album to date with sales over 20 million copies[. The title
track, a duet between Streisand and Gibb, won the Grammy Award for Best
Pop Performance by a Duo or Group with Vocal in 1981. The second single
"Woman in Love" became one of the most successful songs of Streisand's
music career and spend a total of three weeks at the #1 position in the
Billboard chart.
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Style Council: Confessions of a Pop Group
(Polygram 1988)
Produced by: Paul Weller
After making a noise with punk band The Jam, Paul Weller formed
the Style Council in order to do something completely different. The
result was piano suites, soul singing, and lush orchestration. The album
was remastered and reissued in 2000.
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Sweetback - Sweetback (Epic 1996)
Produced by: Sweetback
Guitarist/saxophonist Stuart Matthewman, keyboardist Andrew
Hale, and bassist Paul Spencer Denman from the Sade Band describes it as
"global soul music." Sade without Sade I say. Great relaxing album incl.
the killer mellow groover "You Will Rise". Vocals by Leroy Osbourne,
Amel Larrieux and Maxwell. [More about
Sade & Sweetback]
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Swing Out Sister: Kaleidoscope World (Fontana 1989)
Swing Out Sister: Somewhere Deep In The Night (Universal Japan 2001)
Swing Out Sister: Where Our Love Grows (Universal Japan 2004)
Swing Out Sister: Beautiful Mess (Avex Japan 2008)
Produced by: Paul Stavely O'Duffy
Swing Out Sister's sounds like Burt Bacharach meets St. Etienne or late period Everything
But
The Girl. With their love for lush soft pop, soul, and soundtracks of
the 1960s and early '70s, vocalist Corinne Drewery and keyboardist Andy Connell were singing the
praises of Burt Bacharach, Jimmy Webb, and John Barry back when those
great artists were thought to be the definition of unhip. Now those
same artists are widely sampled and copied by mainstream musicians.
Their 1985 single "Breakout," was a
Top Ten hit in UK and Japan, and included on the debut album "It's
Better to Travel". They hired Jim
Webb to arrange and conduct the orchestra on the 1989 follow-up "Kaleidoscope World",
which is in my opinion an overall better album. Both albums were huge
hits in Japan, producing a special Japan-only
collection of remixes, the 1989 "Another Non-Stop Sister". Several
albums followed during the 90s and SOS had become one of the most popular acts in
Japan. After 1994's "The Living Return"
failed to chart in Great Britain, the U.K. office of Mercury Records
didn't release 1997's
"Shapes and Patterns", 1999's "Filth and Dreams", or 2001's "Somewhere Deep
in the Night" in England, their native country.
Both the 2001 "Somewhere Deep in the Night" and the 2004 "Where Our Love
Grows" is packed with sweeping, melancholy tunes that echo Bacharach,
while the albums is held together by lush instrumental themes that seem
straight out of a '60s soundtrack album by John Barry or Quincy Jones.
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Tunde:
Tunde (RCA 2004)
Produced by: Tunde
If you like Lighthouse Family (above), check out Tunde Emanuel
Baiyewu. After splitting up with Lighthouse partner Paul Tucker in 2003,
Tunde pursued a solo career and his 2004 effort sounds of Lighthouse Family all
the way.
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Tina Turner: Private
Dancer (Capitol 1984)
Produced by: Terry Britten
The album was an outstanding success with worldwide sales of
around 20 million copies! Tina moved away from her former R&B sound and
into Pop/Soul. N.Y. Times wrote it was a landmark in the genre. The title
track was written by Mark Knopler of Dire Straits and is a great mellow
groover. |
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Dionne Warwick: Walk On By - Definitive Collection
(Warner Bros. 2000)
Produced by: Various
In the early 60s, Dionne Warwick teamed up with Burt Bacharach and Hal
David, songwriters and producers who wrote their timeless classics for
her alto voice. Warwick is forever associated with those songs, even
though she managed to build a career after leaving Bacharach & David.
With a career spanning from the early 60s, more than 40 (!) Warwick
compilations has been released. Warner UK have released one of the best
in "Walk On By - The Definitive Collection" A digitally remastered 2
disc set containing 40 tracks mainly from the heyday of her
collaboration with Burt Bacharach and Hal David. A must for
Warwick fans and worthwhile for anyone interested in classic singing and songwriting. Excellent liner notes and photos as well.
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Wet Wet Wet: End Of
Part One - Greatest Hits (Phonogram 1993)
Produced by: Wet Wet Wet
From the time Wet Wet Wet's debut "Popped In Souled Out" in 1987 to the
time this best-of compilation was released in 1993, the band managed to
become one of the biggest-selling acts in British chart history. The
songs on this 2 CD set compilation contains blue-eyed soul and
radio-friendly pop and is all the Wet Wet Wet you'll ever need. Apart from their biggest single, "Love Is All Around"
in 1994, there
was nothing from the last few years of their existence that matched the
quality of the songs collected here.
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Nancy Wilson:
Forbidden Lover (Columbia 1987)
Produced by: Kiyoshi Itoh
Nancy Wilson was among contemporary music's most stylish and sultry
vocalists; while often crossing over into the pop and R&B — and
even hosting her own television variety program — she remained best
known as a jazz performer. Her 1987 release "Forbidden Lover" is however
pure pop/soul! You should also check out her 1999 16 track "Greatest
Hits" on Columbia. This has a more classic lounge/pop approach.
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Workshy: The Golden
Mile (Magnet 1989)
Produced by: Mark Fisher & Pete Wingfield
Somewhere in between Swing Out Sister and a downtempo Matt Bianco, -
with a dash Sade thrown in, - say hi to sophisticated coffee-table soul
and smooth jazz band Workshy. Their debut album "The Golden Mile" was
released in 1989. Don't think the album raised much fuzz in the UK, but
it became a hit in Japan. As far as I know all of the later albums have
only been released in Japan. Read more on
Workshy...
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